A major challenge creating the key art for this doc was handling imagery of the women involved - these were real people filmed while vulnerable, often without full consent, and later exploited by the brand. Reusing that imagery risked retraumatization and repeating the very objectification the series exposes.

To avoid this, we used no real participants or stock models. Instead, we generated an idealized woman using Microsoft Copilot. She appears atop a stack of DVD cases, evoking early-2000s media culture. One case is flipped so its black spine cuts across her mouth, symbolizing the silencing of these women.

The result is a cold, restrained counterpoint to the franchise’s original hypersexualized chaos—where it once demanded attention, this image asks for reflection.

For season 5 we showed Stabler out of his suit, battle scars and all, nodding that the show’s move to Peacock feels different - gritty, more raw, immediate. We cropped into a dramatic episodic photo, achieving an unexpected tone without staging a new photoshoot.

Love Undercover is a Peacock Original reality dating show with a fun twist on the genre. In it, five internationally famous soccer stars go undercover — pretending to be everyday guys — as they attempt to find true love with women who don’t know they’re famous athletes.

The key art introduces the bachelors emerging from a stadium tunnel, with a subtle shape forming behind them.

Creative campaign for a new series from the team who brought you The Office. We established The Paper as its own fresh sitcom, by introducing a ragtag group that comedy fans will fall in love with as they try to save their local newspaper.

Mobile app prototype for discovering and learning about nearby craft brews

Website prototype for a Spa & Wellness Center

Mockups and final executions for various Emmy awards campaigns (in collaboration with Arsonal digital)

Digital and print ads, intentionally designing them sparse and constrained to stand out from the usually loud campaign landscape

Smithsonian Channel museum brochures featuring a patriotic foldout.

Poster was developed as part of a campaign to build excitement and anticipation leading up to the premiere of The Chi season 3. The Chi With Love virtual music event took place on YouTube, a concert uniting new and old fans of the series through a celebration of Chicago-inspired performances.

Magazine Advertorial design for Showtime Sports

Homeland presskit - oversaw the design and development to help promote the final season

Digital and social creative for SXSW inviting fans to the Showtime House in Austin, Texas

Packaging and design for a diecast car given out to members of the press for the Showtime Original Series Inside Nascar.

As part of an internal company push to give Billions ‘water-cooler buzz’, we created giveaways and signage that utilized press quotes. ‘If you’re not watching Billions, you’re missing the best show out there’.

Brochure design for Showtime’s limited series PATRICK MELROSE, based on the novels by Edward St. Aubyn and starring Benedict Cumberbatch in the title role

Book cover design and artwork for the five-part docu-series investigating the unsolved murders of eight women in and around Jennings, Louisiana.

Californication digital presskit mockups

Billions carousel takeover

Your Honor header mockup on the sho.com product page

Social graphics for The Chi driving traffic towards weekly playlists, episodics and character deep dives

This five-part documentary series takes viewers inside the wildly successful SuperPAC whose members joined forces for the sole purpose of saving democracy by bringing down Donald Trump.

With our Key Art exploration, the creative team wanted something with stopping power. Iconic art that stands out, that’s impactful and makes you stop and think. The final piece shows Trump’s brash tactics thrown back in his face.

Additional internal comps included as well

Additional concepts

Living Key Art, in collaboration with Unfold Agency

For season three, we were tasked with featuring 10+ cast members with lots of energy and an aspirational vibe (“I want to be there!”). Renting an actual photo booth, we gathered authentic imagery of the L Word couples and friend groups, creating a campaign that laddered up to our creative pillars of “finding the one you love” and “chosen family”.

Role: CD for Key Art and motion graphics across outdoor, digital and social. Art director: Richie Fahey

We also created a presence at Dina Shore, an all-queer party in Palm Springs, teasing billboards and creating graphics to reach fans where they are and drive buzz to both the event and the new season.

Motion and end page design

News & Doc Emmy® nominee The Circus captures the depth of politics with wry wit and nuanced perspective. With each season, we strive to create a campaign that captures the state of politics in America today with subversive symbolism and simple, iconic images.

Role: Creative ideation, overseeing design and execution.

Season 8 (Uncle Sam) shows the precarious unknown of America and its politics - are we gonna make it?

Season 6 (Eagle) focused on the people, politics and policies during a time of reflection and emotional exhaustion as we struggle with division over politics. Promax North America Awards 2021 Gold winner and Clio Entertainment 2021 Silver Winner.

Season 5 (Lincoln) captured the current mood of the nation at the time and the high stakes of the upcoming 2020 Presidential election- compelling, entertaining and light hearted with gravitas. Clio Entertainment 2020 Bronze Winner.

Bringing a distinct voice to late night, DESUS & MERO talked spontaneously about anything and everything – including the toughest topics. Each season used iconic, non-traditional imagery that showcases their easy, chill vibe.

Role: Leading the creative team in ideation for seasons one through three, overseeing execution and finish for both print and motion.

Photographer: Micaiah Carter

Living Key Art used throughout digital, social and outdoor boards (Shown: Season 3 and Season 2 campaigns)

Part survival epic, part psychological horror story. This thriller drama television series is the story of a team of high school soccer players who survive a plane crash in the remote northern wilderness.

Role: Creative ideation, photo shoot in Vancouver (including working with my first wolf yipes), overseeing design and execution.

Memento Mori concept: Rebecca Wheatman

Finish: P+A agency

Photographer: Brendan Meadows

25 Best Film and Television Posters of 2021 (IndieWire)

Promax Gold and Silver winner

Clio Entertainment Silver winner, One-Sheet, Domestic.

Living Key Art used for digital, social and outdoor boards (in collaboration with Arsonal)

Los Angeles digital outdoor billboard

Yellowjackets Subway triptych panels

Lena Waithe’s drama series about life in a neighborhood on the South Side of Chicago.

Season 4 was told primarily through the lens of the kids; a police brutality incident forces Jake, Papa, and Kevin to deal with the harsh reality of how the world views young Black men.

Role: Led ideation phase and oversaw all phases of the creative campaign: print, out-of-home, on air graphics and more.

Photographer: Shaniqwa Jarvis

To extend our campaign’s theme of community, we reached out to artists - some local to Chicago, some hand-picked by Lena Waithe - to create singular pieces of artwork. These works would be their own interpretation of The Chi. A manifestation of ‘What ‘The Chi’ Means to Me’, in the artist’s preferred medium.

Season 3:
The disappearance of young women is an under-represented issue facing African American communities. Season 3 of Lena Waithe’s South Side Chicago drama series tackled this issue head-on when Kiesha goes missing. The flowers represent the season’s opening funeral and wedding scenes, and create a sense of hope and renewal among the characters.

Role: Creative ideation, overseeing design and execution. This cast is always amazing to work with and shooting in Chicago where everything production-wise takes place is always so inspiring.

Photographer: Shawn Theodore

A crime drama television series based on the novel of the same name by Philipp Meyer. The story is told through the eyes of the compromised Police Chief (Jeff Daniels) in a Pennsylvania Rust Belt town full of good people making bad choices.

Role: Creative ideation, overseeing execution and finish. The photo shoot was in and around Pittsburgh. One of our locations was on the grounds of the Carrie Blast Furnaces, now a National Historic Landmark.

Photographer: Matthias Clamer

American Rust Promo Drop In

Social character portraits created for the Showtime Original Series American Rust

A wildly experimental tv series from an eclectic group of indie filmmakers who’ve re-edited and re-scored footage from public domain films and overdubbed them with performances of contemporary actors to tell new, wholly original stories.

Role: Creative ideation, overseeing design and execution. Producers and execs wanted fun, absurd, messy and ended up loving this execution. You should’ve seen the others!

The season one campaign fro Your Honor, a 10-episode limited series starring Emmy® and Golden Globe® Award-winner Bryan Cranston. In collaboration with the agency Refinery. Comps included as well.

This project was an Election Night comedy special on Showtime hosted by Stephen Colbert in 2020 and 2016, offering an alternative to traditional news coverage. The art shown is both the finals and some mockups.

Role: Creative ideation, overseeing design and execution. Stephen is naturally great in front of the camera and, like basically every other comedian, brought his own ideas as well!

Showtime’s iconic thriller series. Season 4’s award-winning key art portrays Carrie as a stranger in a strange land - and the espionage and action of spy craft. I was creative lead on this season and worked on creative ideation, the photoshoot and post shoot executions.

Art Direction & Design: Ethan Callendar, Richie Fahey

Homeland digital presskit

The creative campaign for season five of Showtime’s espionage thriller television series. Out of the CIA and living in Berlin, Carrie is trying to start a new life but realizes now she's the one with a target on her back. Campaign art, PR photography and unused concepts.

Photographer: Jim Fiscus

Showtime’s seventh season of the espionage thriller television series.

Back in Washington with few resources at her disposal and surrounded by doubt, Carrie must prove that not all conspiracies are theories. The Graphic style was inspired by editorial illustrations.

Role: Creative ideation, overseeing design and execution. Since there wasn’t a photoshoot this season, we relied on vetting and working with amazing op-ed illustrators like Justin Renteria.

Photographer: Jim Fiscus

For the espionage thriller’s final season we developed three distinct campaigns, each tapping into a different aspect of the show:

1) position Homeland as an action/spy thriller

2) feature Carrie as the ultimate patriot doing what she does best – protecting this country from terrorists

and
3) raise the question of where Carrie’s allegiance lies.

Role: Creative ideation, photo shoot in NYC at Mark Seliger’s studio.

Unrefined, offensive, and foul-mouthed, the Gallaghers are a dysfunctional family that would make Norman Rockwell spin in his grave. 

Here's some key art from previous seasons, as well as a few fun publicity photos.

Role: Creative ideation, all photo shoots, overseeing design and execution.

Photographers: Jim Fiscus, Brian Bowen Smith.
Lettering by Luke Lucas

Shameless season 4 press kit which included a sheet of ‘shameless’ hand-drawn family car decals

Shameless season 2 family album press kit came with a rude photo frame, beer coaster and Frank’s police record

The family album also included a demented kid’s drawing by the character Carl (my son actually drew it)

Campaign creative for Showtime’s crime drama television series starring Liev Schreiber.

In season four, Ray's experiences a religious rebirth, trying to clean up his act and looking to God for the bigger answers in an effort to get a handle on all his hurt, shame and rage.

In early 2022, Ray Donovan returned to SHOWTIME in a one-night movie event. We chose a simple, cinematic visual capturing Ray from a different angle, with a color palette that's very ownable. In collaboration with the agency mOcean.

Ray Donovan The Movie Urban Panels

Ray Donovan The Movie CBS Drop-in

Ray Donovan digital presskit

Unpacks the human stories and drama behind America’s involvement in Afghanistan, the longest war in U.S. history.

Role: Creative ideation, overseeing design and execution.

The television show about America’s favorite serial killer.

Dexter is forced to deal with his past in the eighth and final season. I was the creative lead on everything from the key art, to outdoor media, the press kit, publicity photos, etc.

Role: Creative ideation, photo shoot, overseeing design and execution. This award-winning art was so effective(?) it even created a lawsuit! (click for link).

Photographer: Jim Fiscus

Dexter season 8 press kit, which came physically wrapped in plastic

A series about "making it big" in the 1970s LA comedy scene.

Key Art exploration. Role: Creative ideation on both seasons, overseeing execution and finish. Fun fact: I posed as the dead guy.

Photographer: Eric Ogden

I’m Dying Up Here promotional press kit (overseeing design)

Mobile ad example for the Showtime Original Series I’m Dying Up Here

Key art concepts for the limited series executive produced and directed by Ben Stiller. Escape at Dannemora was based on the stranger-than-fiction account of a 2015 prison break in upstate New York.

Penny Dreadful is a horror drama television series that reinvents literature’s most iconic and terrifying characters (Dorian Gray, Victor Frankenstein). The creative exemplified the duality of our characters: beautiful and horrific, evil and redeemable.

Role: Creative ideation, overseeing design and execution.

Season 2 collaboration with Melchior Lamy of Leroy & Rose

Season 3 collaboration with Concept Arts

Penny Dreadful season 2 press kit (overseeing production and design)

A series on Smithsonian Channel that takes a behind the scenes look uncovering the actual characters and true stories that inspired some of Hollywood's most famous blockbusters. I designed and illustrated over 25 iconic images over five seasons.

For its final season, House of Lies was the first American scripted series to shoot in Cuba since diplomatic restoration.

Final key art, followed by a few unreleased concepts.

Creative ideation and executions for Showtime Sports Series, Documentaries, Boxing Events and more.

Key Art concepts for a six-part limited series from Academy Award®-winner John Ridley, showcasing a politically active couple during one of the most explosive times in U.K. history.

Creative Director on The First Lady Marriott takeover (link with sound here)

Outdoor takeover for The First Lady, featuring a replica White House in the middle of Los Angeles (video plays sound)

Overseeing multiple stage graphics for boxing conferences and Pay-Per-View events

Dexter street team event

Overseeing SXSW Showtime branding

Nascar race site takeover and car branding

Sales meeting stage graphics

Trade show booth design

The unauthorized docu-series on the most notorious rapper of all time, Tekashi 6ix9ine - a first-gen Mexican and Puerto Rican kid from Bushwick.

Role: Creative ideation, overseeing execution and finish.